Musical Projects
My musical activity has also included editorial collaborations, the preparation of editions from historical sources, and the transcription and arrangement of works for different instrumental ensembles.
2000–2012
Editorial Collaborations with René Jacobs
Between 2000 and 2012, I collaborated with René Jacobs in the preparation, revision and edition of several Baroque and Classical works, including the musical material used for the recording Arias for Farinelli.
| Composer | Work | Activity |
|---|---|---|
| Claudio Monteverdi | L’incoronazione di Poppea | Editorial collaboration with René Jacobs |
| Claudio Monteverdi | Il ritorno di Ulisse in patria | Editorial collaboration with René Jacobs |
| Francesco Cavalli | Elena | Editorial collaboration with René Jacobs |
| Francesco Cavalli | Eliogabalo | Editorial collaboration with René Jacobs |
| George Frideric Handel | Agrippina | Editorial collaboration with René Jacobs |
| Johann Gottlieb Naumann | Cora (eine heroische Oper) | Editorial collaboration with René Jacobs |
| Francesco Conti | Don Chisciotte in Sierra Morena | Editorial collaboration with René Jacobs |
| Florian Leopold Gassmann | L’opera seria | Editorial collaboration with René Jacobs |
| Various composers | Music for the CD Arias for Farinelli, performed by Vivica Genaux and produced by Harmonia Mundi | Editorial collaboration with René Jacobs in the preparation of the performing material |
Editions from manuscript sources
Independent Editions
These editions were prepared independently from the available historical and manuscript sources.
| Composer | Work |
|---|---|
| Leopold Koželuch | Symphony in C major, Op. 24 No. 1 |
| Leopold Koželuch | Symphony in B-flat major, “L’irresoluto” |
| Franz Xaver Süssmayr | Sinfonia Turchesca in C major |
| François-Joseph Gossec | Marche de l’Offrande à la Liberté (Marseillaise) |
Adaptations for different ensembles
Transcriptions and Arrangements
This activity includes adaptations of orchestral, keyboard and chamber works for different instrumental forces.
| Composer | Original work | Transcription or arrangement |
|---|---|---|
| Johann Sebastian Bach | Concerto for Three Harpsichords, BWV 1063 | Adaptation for three harpsichords and three orchestras |
| Johann Sebastian Bach | Concerto for Four Harpsichords, BWV 1065 | Adaptation for four harpsichords and four orchestras |
| Ludwig van Beethoven | An die Freude, from the final movement of Symphony No. 9 | Transcription for piano and orchestra |
| Frédéric Chopin | Piano Concerto No. 1 in E minor, Op. 11 | Transcription for piano and string quintet |
| Sergei Rachmaninoff | Six Morceaux, Op. 11, for piano four hands | Transcription for piano and string quintet |
| Dmitri Shostakovich | Concertino, Op. 94, for two pianos | Transcription for piano and string quintet |